Harry potter deathly hallows part 1 end in book

HARRY POTTER DEATHLY HALLOWS PART 1 END IN BOOK SKIN

War is going on, and sides have been drawn with an oppressive rule taking over the ministry of magic. But thereвЂ™s little peace for the three, and eventually they end up in the forest trying to figure out what to do with the tools left them by Professor Dumbledore (Michael Gambon) to destroy the horcruxes that help give the evil lord Voldemort (Ralph Fiennes) his power. Then Potter gets ready for a wedding, as one of the Weasleys is going to settle down, and this lets the film slow down for a bit as everyone catches their breath. Then Potter is to traverse to safe haven - now that heвЂ™s of legal age, he has no spells the protect him from other wizards - and itвЂ™s an involved affair, which leads to the death of an old friend. The history and the weight of whatвЂ™s to come is felt in all of the characters. For Harry that means finally leaving his Aunt and UncleвЂ™s place, and for Hermoine it involves erasing her parentвЂ™s memory of her. In the film Potter and crew start the film by saying their good-byes to their families. Our review of the Blu-ray of David YatesвЂ™s latest Potter film, The Deathly Hallows Part 1, follows after the jump.

Not since Kill Bill has a film felt so lopsided, though TarantinoвЂ™s film at least felt like a reasonable break. And though it was decided before filming commenced, the journey of Harry (Daniel Radcliffe), Ron Weasly (Rupert Grint) and Hermoine Granger (Emma Watson) doesnвЂ™t conclude so much as stop. The problem with splitting a book into two is that вЂ“ at least in the case of Harry Potter and the Deathly Hallows Part 1 вЂ“ you feel like youвЂ™re watching half a thing. A chance to spend more time with the characters, a chance to let things breathe.

HARRY POTTER DEATHLY HALLOWS PART 1 END IN BOOK SKIN

We then restored areas of Harry's jacket, his shirt and hands by re-projecting and animating textures'.В At the moment of his passing Framestore made Dobby's eyes appear watery, and desaturated his skin textures to make him wan and pale.There are certain benefits to turning a novel into two films. That required a lot of paintwork, so we went to Leavesden and shot texture reference of Harry's wardrobe and Radcliffe's hands, and we used those textures to rebuild parts of Harry that the double had obscured. 'Tim Burke shot a lot of reference and clean plates, but the takes that David Yates chose were the ones of Harry interacting with the stunt double. 'The dummy and the body double became lighting reference for Framestore while integrating the animated character into Radcliffe's arms',В he says. Compositing Supervisor Christian Kaestner led the 8-strong compositing team. Shot at Freshwater West in Wales, the gritty location shoot featured a Dobby-sized body double and a dummy. To highlight the drama of BellatrixвЂ™s hurtling knife flying towards and into the group as they are transporting away, Yates asked that the shots look as if they'd been filmed on a Phantom camera, i.e. The rescue sequence at Malfoy Manor was notable from Framestore's point of view for its particularly demanding disapparation.

Our animators were able to carefully craft emotive and believable human performances from careful observation of a variety of sources'.В Burke persuaded Yates onВ the importance of having the voice actors onВ set and performing on film, and with these performances as reference, together with the animators' research (including photographic studies of Framestore's oldest employee), and, vitally, their own imaginations, the Framestore team was able to engineer a staging that worked convincingly within the context of the edit and the quirky physicality of the House Elves. 'But with mo-cap you get 'everything', which can result in that slightly queasy, uncanny valley sort of look.

'Mo-cap is often Directors' and Supervisors' first choice when looking for photo-real humanoid performances',В Animator Pablo points out. This followed a proof-of-concept demo prepared for Yates and Burke by a small team led by VFX Supervisor Christian Manz, Lead Animator Pablo Grillo and CG Supervisor Andy Kind in February 2009. An important pre-production decision вЂ“ one that played to Framestore's strengths вЂ“ was that the two elves would be keyframe animated rather than 'acted' through motion capture.

Harry potter deathly hallows part 1 end in book